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Realism is an artistic movement that sought to depict reality as accurately and objectively as possible, holding that the purpose of art is to reflect all aspects of existence, rather than merely its idealized representation. The term was introduced by the French literary critic Jules Champfleury in the 1850s to denote art that opposed Romanticism and Academicism. In the visual arts, the significance of Realism as a style is quite controversial, and its boundaries are undefined. In a narrower sense, realism is understood as positivism, a movement in the visual arts of the second half of the 19th century. One of the first realists was the French artist Gustave Courbet (1819–1877), who opened his solo exhibition “The Pavilion of Realism” in Paris in 1855. Before him, artists of the Barbizon School—Théodore Rousseau, Jean-François Millet, and Jules Breton—worked in a realistic style. In the 1870s, realism split into two main movements: naturalism and impressionism. In contemporary painting, realism borders on the grotesque and anti-glamour.

1814–1861
Born a serf and freed in 1838, Shevchenko is regarded as the father of Ukrainian fine art: a Romantic-Realist painter and pioneering etcher (Academician of engraving, 1860), turning his art to Ukrainian life and social injustice.

1826–1893
Early master of Ukrainian genre painting devoted to the Ukrainian peasantry; influenced Pymonenko, Vasylkivskyi and Slastion.

1839–1903
A Galician Ukrainian painter, iconographer and writer, Vienna Academy-trained, who became a leading figure of 19th-century Western Ukrainian historical painting drawing on Cossack themes and Carpathian folk life.

Taras Shevchenko

Taras Shevchenko

Taras Shevchenko

Taras Shevchenko
A warm group portrait of a Ukrainian peasant family by their cottage, among Shevchenko's finest genre oils.

Taras Shevchenko
A watercolour from Shevchenko's Aral Sea expedition during his years of exile.

Taras Shevchenko
A dramatic watercolour of a steppe fire from the 1848 Aral Sea expedition.

Kostiantyn Trutovskyi

Kornylo Ustyianovych
A portrait of Taras Shevchenko during his forced exile, one of the artist's most reproduced works.

Kostiantyn Trutovskyi
A pastoral Ukrainian genre scene of peasant women bleaching woven linen.

Kostiantyn Trutovskyi
A romantic depiction of Taras Shevchenko as a kobzar seated above the Dnipro river.

Arkhip Kuindzhi
A moonlit Ukrainian village where whitewashed huts glow against the deep blue darkness.

Arkhip Kuindzhi
A sunlit clearing where bright birch trunks and sharp contrasts create an impression of intense daylight.